Talking Self-Publishing, Doing Rewrites

24 Jan

Hello? *looks around* Is anyone still here?

Apologies for my blog silence this far into the new year, but I am BUSY. Ever since I started university back in September – and realized, belatedly, that I don’t really have time to go to university full-time and do all the stuff I normally do – I feel like I’ve been saying that a lot, to the point where even I’m completely sick of it. The word has lost all its meaning.

But I am very…

Well, let’s just say time-challenged. 

At the moment, before I get more essay assignments (didn’t we just have those? DRAMATIC GROAN) and then, once they’re handed in, we start – GASP! – studying for exams (and also learning how to handwrite something that’s longer than a shopping list for the first time in more than ten years – looking forward to that), I’m all about this: The Rewrite.

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My agent (doesn’t that sound nice? My agent…!) has a truly wonderful in-house editor who read my novel – The Serial Killer Thriller – and then sent me several pages of ideas on how to improve it. Luckily there’s no structural changes but there’s still plenty to do, and I’m trying to do it as quickly as possible due to the aforementioned essays and exams. The bottom line is I either get this rewrite done now, or I have to wait until the summer to even start it.

So: no blogging. No binge-watching. (Another reason to move fast – House of Cards Series 3 starts streaming in February!) No reading for pleasure. (What’s that? It’s been so long I can’t remember.) No leaving the house for long periods of time. No fun-having.

Which is why I’m really looking forward to the Irish Writers’ Centre Publishing Day: Focus on Self-Publishing event next Saturday, January 31st. (It’s outside! I get to go to there! Without feeling guilty!) It features Vanessa Fox-O’Loughlin talking all things self-publishing, Robert Doran (who has guest-blogged right here) on all things editing, Anne-Marie Scully on all things Amazon and then Emily Evans and me in conversation about how we did it. The price is €60.00 for non-members and as with all IWC events, you’re bound to go away feeling all motivated and with the knowledge you need to get the job done. To find out more or to book, visit the IWC website.

See you there!

*retreats back into writing cave*

Happy New Year!

31 Dec

Happy New Year! I wish you everything you wish for in 2015.

Today Writing.ie have posted a blog of mine, Finish Your Damn Book. It’s what I needed to read this time last year, so I’m sharing it with you now.

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Are you writing a book? Been meaning to start? Been “finishing” a novel, whatever that means, for longer that you’re comfortable admitting? Maybe you’re like Badger in Breaking Bad, well able to lead anyone who cares to listen through every plot point of your tale – a Star Trek spec script, in his case – only to end with “I gotta write it down, is all…” If so, then read on.

One afternoon in August 2008 a much anticipated e-mail landed in my inbox. I’d sold my laptop back in Orlando to fund my subsequent adventure in Central America, so I had to check it on the family PC, in full view of half of the family. It was from an assistant at a literary agency in London – let’s call her Helen – who had loved a travel memoir I’d sent her, Mousetrapped, and had pitched it enthusiastically to her boss. I double-clicked. I’m writing with some good and some bad news. Unfortunately we don’t feel there is enough of a market for us to be able to represent Mousetrapped … However we love your writing. What are you working on now? We would be really interested in reading it. Do you write fiction?

Fiction was all I really wanted to write – Mousetrapped has just been an accidental detour – and now here was an agent saying she wanted to read it! Fantastic! Now there was just the little matter of actually writing some…”

Click here to read the full post.

See you next year!

 

Merry Christmas and Here’s to a Very Exciting 2015!

23 Dec

Thank you so much for sticking around these much-neglected parts this year! Write more blog posts and post blogs more frequently is on my list of New Year’s resolutions, I swear. My last post was a bit of a recap of the year and all its university-going and agent-getting excitement, but if you’re looking for something to read while you queue at the tills in the midst of department-store-mania or just need a quiet escape over the holidays with a cup of coffee and your phone, below are a list of quick links to 2014’s most popular posts. I went for quality over quantity this year, so although the list is short, the reading times are generally loooooong…

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Catherine’s Caffeinated’s Highlights of 2014:

Mel Sherratt, Laura Pepper WuC.S. Larkin, Jean Grainger, Dan Holloway and Pat Fitzpatrick were all fantabulous special guest stars and the ever-annoying US tax withholding situation got a complete makeover this year too. You can read about it here.

Finally thanks to the VAT shambles, I will no longer be selling my e-books directly to readers come January 1st. If you want to buy direct from me, you have to do it before December 31st.

Have a very Merry Christmas and a fantastic New Year. See you soon! 

Catherine x

The Surprising Thing About Rejection (Or What I Learned in 2014)

5 Dec

This will likely be my last blog post in 2014 and you might want to make a cup of coffee, because it’s gonna be a long one…

In past Decembers I’ve compiled gift guides, and last year I shared my first Christmas in a place I lived all by myself (and so could decorate as I pleased, safe in the knowledge that no one could touch anything or suddenly appear with a strand of the most offensive substance known to man, tinsel). But this year I’m coming to the end of my first term in Trinity College Dublin, barely three months in to a four-year degree in English Studies that I started at the ripe age of 32, and assignments are due. This necessitated a move to Dublin, one of the most expensive cities in the world; the shoebox I now live in, while comfortable and suitably Catherine-fied, couldn’t fit as much as a bauble. (I have no books here. That’s how small it is.) And once college breaks up at the end of the next week, I have to use my month off to—

Well, let me back up a little.

This has been a very exciting year. There was always something about 2014; I knew it would be a big one. During it I did three things I’ve been dreaming about for ages, for years in some cases: I moved to Dublin, I started studying English at Trinity and I signed with an agent. The agent, rather. The one who is at the very top of your wish list if you’re a woman who writes crime, the one who represents such awe-inspiring writers that you nearly didn’t even bother submitting to her because you assumed there was absolutely no chance, and when—

Well, let me back up a little again.

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2014 Highlights: Trinity College Dublin as it looked on my first day as a student. 

I want to tell you about the two very important lessons I’ve learned this year.

The first is that when it comes to making big changes, pursuing your dreams or just doing anything that will yank you out of your comfort zone, making the decision to do it is the hardest part.

Honestly, it is. Strolling around Trinity’s historical campus one sunny day in September – having previously only ever strolled around it as a tourist – I couldn’t quite believe that I was there. I go here now, I kept whispering to myself. How had it happened? [For those of you who don’t live in Ireland, Trinity is like Ireland’s Harvard. It’s for the top scorers. Mature students aren’t considered on their years-old exam results – thankfully! – but places are incredibly restricted and competition is fierce. But I filled my application form with all my book and publishing antics over the last five years, and I’m convinced that’s what got me in.] I’d had to apply; interview; come up with the fees; find a place to live in Dublin in what was described as the worst year for rental accommodation in three decades; move out; move up; and show up for the first day of Orientation.

But they were all easy compared to sitting in front of my computer at 11.30pm on January 31st last, half an hour before the CAO [Central Applications Office; how we apply to third-level education in Ireland) deadline closed for the year. I drummed my fingers on the desktop. Was I really going to do this? Could I do this? How could I leave the apartment I loved so much? Could I really move to Dublin in just a few months? Live there by myself? Afford to? Was there any real possibility that I would even get in? I’d been thinking about it for months but when it came to down to it, I wasn’t sure. It would be easier not to do anything. With minutes to spare, I finalized my application.

And that was by far the hardest part. Making the initial decision was the most difficult thing I’d had to do. After that, all I was doing was following through.

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Highlights of 2014: Champagne and Starbucks. What more does a girl want? (Thanks for the bubbly, Denise!)

Lesson number two was that rejection doesn’t mean no.

Quick recap, if you’re not familiar: I love self-publishing, and I can’t even imagine where I’d be now without it. (Not here, anyway!) But my goal has always been to get published. I don’t feel the need to justify it but if you’re wondering why, it can be summed up like this: because that’s what I want, okay? This little girl didn’t ask Santa for a typewriter because she was dreaming of seeing her book on the Kindle store after she put it there herself:

littlecat

Around about the time I self-published Mousetrapped in 2010, I finished a novel, Results Not Typical. Chick-lit meets corporate satire, I called it, or The Devil Wears Prada meets WeightWatchers. It got me a meeting with the editorial director of a major publishing house, who didn’t like that book but liked me and hoped I might write something else. We met every few months for two years, but after various outlines, sample chapters and synopses, I just wasn’t coming up with the goods. With hindsight I can see that my heart just wasn’t in it. I was trying to write a book that I wouldn’t choose to read, which of course is completely and utterly insane, and insulting to books and stories and publication dreams in general.

Meanwhile I’d had an idea for a crime/thriller novel. I am OBSESSED with crime/thriller novels. They are by far and away what I predominantly read. My favorite author of all time is Michael Connelly. If I color-coordinated my bookshelves, half of them would be black. I just love, love, love a good mystery, a chilling serial killer, a twist that comes like a sudden slap in the face. As for writing them, it’s something I thought I would do when I was older, when I had more experience both in life and as a writer. But one day in the summer of 2012, fed up with my failed attempts to write women’s commercial fiction, I caught myself thinking, When this outline is done, I’m going to try and write that thriller just for fun.

*ALARM BELL ALARM BELL ALARM BELL*

Shouldn’t everything I write be for fun? Why was I doing it otherwise? I ditched all notions of writing anything except the book I wanted to read, the book I really wanted to write.

I’d love to tell you now that I banged it out in a caffeine-fueled week or something, but what followed was eighteen months of mostly procrastination. Still, the idea was percolating away in my brain, so all was not lost. By January of this year I had a long synopsis – or, ahem, an outline; tip: if your synopsis is too long, just call it an outline instead! – and the first third of the book, written and re-written to what I thought was a high standard.

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Highlights of 2014: At the Bord Gais Energy Irish Book Awards with Hazel and Elizabeth. (Photo credit: Derek Flynn.)

I have a lot of writer friends, many of them published, and two of them in particular (shout out, Sheena and Hazel!) urged me to start submitting to agents. I said no, not yet, I want to wait until I feel like it’s perfect or, at the very least, finished. Don’t be daft, they said. Are you happy with the first third? Yes? Send it out then. You’re not a novice, you have all this self-publishing stuff behind you, great contacts and you do freelance work for one of the world’s biggest publishing houses. No, no, I said. I’m not ready. I can’t do it. But they kept at me, Dr Phil-style, and finally I said, Okay, okay. I’ll start submitting.

And then anxiety started pushing its way out of my skin in the form of sweat. My heart began to race. I was genuinely scared of the idea of submitting to an agent.

Why?

Because getting published had been my dream since I realized that people actually wrote the books I loved to read. With 30,000 double-spaced words under my arm and a cover letter I’d been perfecting for months, this dream was still intact. But what if I sent it out and got nothing back but a form rejection letter? That would be devastating, a sharpened scalpel tip right into the balloon of my publication dreams. So of course, it was easier to stay in the limbo in between, where my dreams could still happen.

Making the initial decision to take action was the hardest part.

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Highlight of 2014: finalizing the plot of The Novel.

But I did send it out. And it did get rejected. And I was devastated.

It was rejected by three agents. The first gave me detailed feedback, and some of it caught in my gut. I knew she was right so I rewrote it. The second one just said no (or a disinterested “Nah…” in my head). The third one said no too, in the worst possible way: I really enjoyed it, but I just don’t feel passionate enough about it to represent you. As I feel all authors deserve an agent who is passionate about their work… etc

I have a writer friend whose book launches I’ve been going to every summer for the past four years (shout out, Maria!) and who, not that long ago, went to London to meet with two agents, both of whom were desperate to represent her. They both pitched to her and then she got to pick. We first met at a writers’ workshop back in April 2009, when both of us were just dreamers. It had happened for her; I wanted it to happen – and happen that way – for me. But when the rejections started coming in, I stopped believing that it ever would.

I started thinking, Well, the best I can hope for now is an agent who’ll reluctantly take me on because, well, he’ll give it a go, and a deal with a small publisher with no distribution potential and no advance. I was downsizing. Because here’s the thing: if it was a good book, I thought, wouldn’t its goodness be universally recognized?

I finished my book over the summer and decided that my careful, one-agent-at-a-time strategy wasn’t getting me anywhere. I might never get anywhere, so what did I have to lose? I submitted it to two more agents, the agents, the agents I really wanted but had been holding back on submitting to because (a) if the agents on my next-best-thing list all said the book was a stinking pile of crap, it would need a re-write, and I didn’t want to ruin my one chance with my Dream Agents by sending them the first version (although I should say the agents I had sent it to were still brilliant, amazing, well-known agents that I would’ve been delirious to have been represented by) and (b) I thought there was no point, because they got thousands of submissions a year and took on hardly any new clients.

One of the agents was so selective that she only accepted the first ten pages of your book. Fifty is the norm. I’d no chance. I actually remember being on her website and thinking, There’s no point. It was a repeat of January 31st, drumming my fingers on the desk, thinking there was no point in applying to Trinity.

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Not a highlight, but what I’m stuck with reading as my essay deadline looms. Ugh!

But I’d got into Trinity, and now I was living and studying in Dublin. Making the decision was the hardest part, remember? So I took a deep breath, submitted my ten pages and hoped for the best.

Actually, I just hoped for a response.

Both agents requested the full manuscript. And then they both offered representation, one of them even before she’d finished reading the book. I shook and squealed as I read their e-mails. And just like my friend Maria, I had a day (during my first Reading Week!) where I flew to London and met with two amazing agents and listened, slightly dumbfounded, while they pitched for me and my work.

The day before I’d got an invite to the Irish Book Awards and the day after the new Michael Connelly book came out, so that was quite the giddy week, let me tell you.

A few weeks before my London trip I was watching an episode of ITV’s Crime Thriller Club where crime writing queen Lynda La Plante was being interviewed. She said if she could give advice to aspiring writers it would be that “rejection doesn’t mean no.”

I rolled my eyes. Um, that’s EXACTLY what it means? Come on, Lynda. Aren’t you supposed to be a writer? But after my London day, I realized what she meant.

Publishing is an incredibly subjective operation. Whether or not someone likes your book depends on their personal tastes, their professional experience and even what mood they’re in when they sit down to read it. Whether or not an agent will take you on depends on all this and the level of belief they have in you, what they see in the possibility of what the book can become. Timing factors in too, of course. Maybe they just took on a similar author, or they know that a publishing house just paid five-figures for a similar book. That’s why we have these stories of Ms Author getting rejected all over town for years, and then getting an agent and going on to hit the bestseller lists.

Just because your book got rejected doesn’t mean that your publishing dreams are dead. It doesn’t even mean that you have to modify them. Rejection, as Lynda said, doesn’t mean no.

Last week I signed with Jane Gregory of Gregory & Company. Next week I’ve to hand in my first lot of university assignments. Then I start on a re-write of my novel and after that, who knows what the new year will bring? It might bring everything I want, or it might bring disappointment. I’m ready either way. I’ll keep you updated.

In the meantime, remember that making the decision to take action is by far the hardest part and that rejection doesn’t mean no. Consider this when you sit down to think about your writing goals in 2015.

In the meantime, thanks for reading in 2014, especially as life has got in the way and I’ve become so sporadic with my blogging. I hope to improve a bit in the New Year!

Wishing you and yours a fabulous Christmas and a New Year that brings everything you want.

Catherine x

(Fun fact: this blog post is the exact length each of my four essays has to be. Procrastinating much?)

A Discount on Self-Printed 3.0 Just for YOU!

14 Nov

Well, not just for you, but for all my blog readers.

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Until midnight GMT Monday 17th November, you can get enjoy 25% off an ePub or Kindle edition of Self-Printed: The Sane Person’s Guide to Self-Publishing (3rd edition) if you purchase it directly from me at one of the links below.

Just enter the code blogreader to avail of your discount.

Click here for Kindle

Click here for ePub

A PDF is also available at a permanent price of $2.49. (There’s no discount on that. Sorry!)

Please note that this process will result in a file being downloaded to your computer. You’ll then have to transfer it manually to your e-reader, if applicable. And sometimes I get complaints from people that they click the “I want it!” button and nothing happens; if this happens to you, try accessing Gumroad in another browser. It doesn’t like Safari, I’ve found, but it loves Google Chrome.

While we’re on the subject, Gumroad is GREAT for selling files online if you think you might want to do that sort of thing.

Newsletter subscribers, keep an eye on your inbox. In the next 24 hours I’ll send you a discount code for a whopping 50% off the same thing. (And guess what? YOU can become a newsletter subscriber. Just sign up here – QUICK!)

Should you miss it, you’ll still be able to purchase these via my E-book Store.

In other news I have my first four assignments due for university in a mere four weeks’ time, so you probably won’t see too much of me around these parts until they’re handed in and I’ve caught up on the sleep I had to skip in order to get them finished. But then, I’ll probably be desperately searching for procrastination activities so you never know. You might want to stick around…

[Insert Annoying Self-Promoting Message Here]

4 Nov

I’ve decided to change the way I blog.

From now on, day in and day out, all I’m going to post are blogs that consist of an image of my book’s cover, a link to where it’s for sale online and an excerpt from “another 5* review!” (the word another and the exclamation mark being the most important elements of that phrase).

Will you stick around?

I’m guessing not, and I wouldn’t expect you to. Were you to change your blog to consist exclusively of such blatant, repetitive, smug and utterly pointless – more on the pointless bit in a minute – content, I’m sure you wouldn’t expect anyone to hang around either.

And yet this is exactly how an alarming number of writers are treating Twitter every minute of every day.

I thought we all understood. I thought we had this thing down. I thought we’d all realized that people follow us on Twitter, read our blogs and “like” our Facebook pages not to be sold something but to find things that either:

  1. Entertain them
  2. Inform them
  3. Make them feel like they connect with someone else, i.e. like they can relate to you because you have a shared problem/experience

or a combination of the above. I thought incessantly tweeting updates about how many five star reviews your book has now, or asking us to vote for you in some internet-votes-decided competition, or posting nothing but advertisements for your book that promise us “fans of Dan Brown will think this is even better!” had all gone the way of thinking Cover Creator can create professional-looking covers or that editing is optional.

But it’s getting worse. Actually, I think it got much better and then got worse than ever before. I’ve noticed it myself lately and then today my Twitter friend Mariam tweeted this (see below), and I realized the increase in this activity wasn’t in my imagination, and I decided to blog about it.

So, here goes:

stopsignIT.

What is “it”?

It’s silly to say that any kind of activity should be subject to a blanket ban. We’re all trying to sell books, engage with new readers and increase our Twitter following, so of course there will always be an element of self-promotion to our online presence. Please feel free to tell us about five star reviews, and encourage us to vote for you in some competition or other, or let us know when your book is free or you have a little launch party going on (as I did recently).

But FOR THE LOVE OF FUDGE people: stop doing it all the damn time.

Permission marketing is a term coined by Seth Godin that essentially means promoting only to people who have opted-in to be promoted to. (Like when you buy something on Gap.com in September, check the box marked “Subscribe to newsletter” and then get at least two e-mails about layers every day for three months.) But I like to use the term and the idea to convey a simple instruction about your promotional activity: you must earn the right to sell me something.

If 99% of the time – or even, say, 75% of the time – you tweet hilarious observations, share links to fascinating blog posts and stroke my ego by retweeting my hilarious observations and links to fascinating blog posts, how am I going to feel when you tweet “ANOTHER 5* review for The Best Novel Ever!”?

Not that bothered. I might even go check it out. But if every other tweet before it has said the same thing, and all your tweets yesterday said the same thing, and all the tweets the day before said the same thing and so on, how am I going to feel?

It’d be more like this:

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Or on a good day:

wince

We’re not talking about occasional self-promotion here. We’re talking about a tweet stream infested with it. I think if it’s taking up more than 3 out of every 10 tweets – and that’s not including stuff you retweet; I mean your original tweets – then you’re in trouble, and all your followers are already pissed off.

Perfectly Pointless

The thing that really gets my goat about this kind of promotion is that it is COMPLETELY AND UTTERLY POINTLESS. It doesn’t work. It never has. It can’t work, because you can’t sell to people who are annoyed with you. So it’s not going to win you any sales and it’s going to cost you (virtual) friends. Why do it then?

I think people do it for two reasons:

  1. They don’t know any better OR
  2. They think they’re getting away with it.

What I mean by “they don’t know any better” is this: maybe Twitter doesn’t look to them the way it looks to you and me. Remember that Twitter is what you make of it. It’s an entirely different kettle of fish to each and every user. For example to me, it’s a fantastically interesting and friendly place packed full of people with a deep love of books, with some Irish and celebrity news thrown in. (Don’t judge me…) But for the person who just signed up yesterday, it may just be a place to keep up with traffic alerts and giveaways by their favorite brands. Twitter may look to them like a billboard, just because of who they’ve chosen to follow. Therefore, they may not know that it’s wrong – or pointless – to treat it as such. There’s not much we can do about them.

However if you’re in the second group, brace yourself: you’re not getting away with it. You may have a healthy follower count, but what’s your engagement level like? When you tweet “ANOTHER 5* review!” do you instantly get a string of retweets and a stream of congratulatory messages? I very much doubt it. And just because your follower count doesn’t go down doesn’t mean you’re not losing followers. You know we can “mute” you now, right? Unfollow you, for all intents and purposes, except you won’t know it. We’ll never see you in our stream and yet if you check, we’ll still be in your follower list. Except we won’t be really, because you’ve annoyed us so much we’ve put you on mute.

Check Your Content’s Value

I outlined above the three reasons people are spending their time online. I’ve blogged about it before and I cover it at length in Self-Printed, but here’s a quick recap again:

When you put something promotional online, be it a blog post, tweet or Facebook update, your goal should be to improve the internet above all else. Make it a better place – or a more interesting place, or a funnier place, or a more helpful place – than it was five minutes ago. Don’t just add to the white noise, because your content will disappear like a fleck of white in a screen full of static. (So it will be, say it with me: POINTLESS!)

Make sure your promotional content is doing one or more of the following things: entertaining (e.g. a funny book trailer), informing (e.g. sharing details of a writing competition on Facebook) or connecting (e.g. writing a blog post about how you’re feeling about NaNoWriMo this year or your struggle to get an agent).

Then, here’s the kicker: does it still do one or more of those three things when you take the advertising bit out of it?

Take these examples:

They are advertising:

  • Where’d You Go, Bernadette? (a novel)
  • Self-Printed 3.0 (my book)
  • Transworld titles (i.e. corporate account)

But pretending for a second that none of the things in that list really exist, that none of those products are really available to buy, would the items above still have a value? Yes, they would: the video is entertaining, my blog post is helpful and when we see the picture Transworld shared, I’m sure most of us think, I love that – that’s so me!

Looking at your promotional content, if your book didn’t exist, could the content still stand alone? Does it have a value of its own?

What if we took away the advertising from a tweet that read:

tweet

What would we be left with? Could it stand by itself if the book didn’t exist? If the answer is no, then forget it.

The Real Life Test

Here’s another, even easier test you can do: would you say this to me in real life? Is your tweet (or blog post or Facebook update) a reflection of how you behave in the real, 3-D world?

Last week I launched the third edition of Self-Printed, and I had a fantastic prize from eBookPartnership to give away. I confined the whole thing to two days and have not mentioned it since, as you may have noticed. And this is what I did in real life too – I e-mailed my writer friends, just the once, to say the new edition was out now and that I had a fab prize going on my blog if they knew any self-publishers who might be interested. But when I meet them for coffee, do we all sit at the table saying “I just got ANOTHER 5* star review for my book!”? I can assure you we don’t, because we wouldn’t be invited back again. But because I almost never promote my stuff to my friends, they weren’t annoyed when I did it the once – in fact, they were all congratulatory  and were happy to pass the message on. I’d earned it.

So try the Real Life test before you tweet your next “Fabulous stuff ANOTHER person said about my book!” tweet.

Twitter isn’t a billboard. Stop treating it like one . It doesn’t work and we’re all going to end up muting you.

#SelfPrintedSplash: The Qs and As (and the Winners!)

27 Oct

Thank you to everyone who participated in the #selfprintedsplash on Friday! Below are links to all the questions asked and the answers I supplied (some of them very late Thursday night/early Friday morning…)

I promised there’d be prizes for the Random Participant Wins This and Best Question Asked awards, and here’s what those prizes are going to be: you can either have a paperback copy of Self-Printed 3.0 OR any book that appears in Self-Printed’s Further Reading section. (And if you can’t pick one, I’ll decide for you and you can wait to find out when the postman arrives with it. Oooh, the suspense!) So, drum roll please..

Best Question Asked goes to…

Jaime Adams! (If you lose your enthusiasm for self-publishing, how do you get it back?)

Random Participant Wins This goes to…

Caoimhe McCabe!

Jaime and Caoimhe, please e-mail me re: your prize choice. Congratulations!

ebookpartnershipprize

If you’re upset you didn’t win a prize, remember you have until midnight GMT tonight (27th October) to win this amazing one: an e-book conversion and distribution package from eBookPartnership valued at $299/£225. It’ll take all the stress out of publishing an e-book, leave you all the profits and it’s valid until December 2016. Click here to enter. [THIS COMPETITION HAS NOW CLOSED]

You can also check out Mel Sherratt’s fantabulous guest post from Saturday.

A reminder: Self-Printed (3rd edition) is now available in paperback and e-book on all the Amazons, with additional e-book formats coming on stream soon.

Self-Printed Splash participants: if you e-mailed me your link, you should have your free copy of Self-Printed by now. If you haven’t e-mailed me, do it now. If you e-mailed me but didn’t get your book, let me know and remind me what you want (Kindle, ePub or PDF) – and, since I sent blank e-mails with large attachments, maybe check your spam folder for it first.

Now, after all that rabid self-promotion, I shall leave you in peace for a while. Tootles!

selfprintedsplashbadge

The #SelfPrintedSplash Questions and Answers

Q: Should I put my new release through KDP Select?

http://ameliasmith.net/2014/10/self-printed-splash/

Q: What’s a good freebie for a history blog?

http://heathervoight.com/2014/10/24/catherine-ryan-howard-answers-my-self-publishing-question/

Q: What do you think is a reasonable length for a £2.99 novel? And at what point do you think it becomes a rip off?

http://www.frannyfearnby.com/self-printed-splash/#sthash.HTS6ISGA.dpbs

Q: Is it best to put all my energy into self-publishing, or continue to fantasise about following the traditional route of finding a mainstream publisher/agent as well?

http://avrilsilk.livejournal.com/7586.html

Q: How should I go about selling the book to the local market (Singapore)?

http://yqtravelling.com/2014/10/25/publishing-locally/

Screen Shot 2014-10-25 at 10.15.21

Q: Contests for fiction authors. Worthwhile or a waste of time?

http://www.laurenclarkbooks.com/2014/10/24/the-self-printed-3-0-splash-with-prizes/

Q: I’ve been invited to an author event – you know where they stick a bunch of writer folk in a room and fans come flocking to have their paperbacks signed? TBH, I’m mostly going for vanity reasons, but are you aware of these being actually good for marketing/sales/promotion?

http://carolinebatten.co.uk/2014/10/24/my-self-publishing-bible-is-updated/

As Caroline said on her blog, that was actually the second question she’d asked me…

Screen Shot 2014-10-25 at 10.21.05

 

Q: What are the essential WordPress plug-ins for self-published authors?

http://www.russellphillipsbooks.co.uk/self-printed-3-0-splash-essential-wordpress-plugins/

Q: What are the top 3 things you would do to boost a book suffering a lull in sales?

http://www.patfitzpatrick.ie/end-your-sales-lull-a-3-step-guide/

Q: What’s your number one tip for a new author?

http://changemakingrockstars.com/easiest-way-monetize-write-book/

Q: Do you think book trailers are worth it?

http://www.downunderonline.org/think-book-trailers-worth-pursuing/

Q: What’s the advantage for a self-published author to work with an Amazon imprint like Montlake?

http://rhodabaxter.com/2014/10/24/self-printed-3-0-blog-splash/

Q: What are your thoughts and recommendations on managing time as a new author dealing with revising, editing and formatting your self-published book while trying to spend some creative time composing your current or next work?

http://1718neworleans2018.wordpress.com/2014/10/24/self-printed-3-0-by-catherine-ryan-howard/

Q: If you wrote a trilogy, would you release all three parts on the same day or spread them out?

http://caoimhemccabe.com/2014/10/24/catherine-ryan-howard-answers-my-self-publishing-questions-selfprintedsplash/

Q: What is the biggest benefit of having your book edited by a professional?

http://playle-editorial-services.com/catherine-ryan-howard-biggest-benefit-novel-edited/

Q: Kindle pre-ordering. Yay or nay?

http://www.sarahnegovetich.com/2014/10/self-printed-questions-with-catherine.html

Q: If you lose your enthusiasm for self-publishing, do you have any tips on how to get it back?

http://jaimieadmans.com/2014/10/24/self-printed-3-0-splash-selfprintedsplash/

Q: What can we expect to read re: social media (e.g. the value of Facebook) in the new edition?

http://kellielarsenmurphy.com/2014/10/24/self-printed-splash-with-prizes/

Q: As a new author who is completely inept with social networking, and didn’t think about how to market myself until AFTER my book came out, what is the ONE thing you think I could do that would help people find my book?

http://leedunning.com/2014/10/24/self-printed-the-sane-persons-guide-to-self-publishing-3rd-edition/

Q: As a self-published author, what do you consider the most important measure of success?

http://pillsandpillowtalk.com/2014/10/24/the-self-printed-3-0-splash/

Q: Is there any specific data on the return on investment for freebies? I’m curious about data like “100 copies given away results in 13 reviews and 3 copies sold” or some such nonsense. Separated by fiction and nonfiction. Also, what’s your opinion on whether such data would have any practical value?

http://somedaybox.com/catherine-caffeinated-self-printed-3-0/

Q: Should I be sending out press releases to promote my book?

http://www.karenbanes.com/blog/self-printed-new-edition-is-out-now

Q: What is your advice for making a mainstream self-published novel visible (as opposed to romance, science-fiction, etc.)?

https://thehungryboson.wordpress.com/2014/10/24/self-publishing-a-mainstream-novel-qa-with-catherine-ryan-howard/

Q: How do you do all the formatting required for all the different distributors without wanting to smash your head off a wall?

http://www.donnaonthebeach.com/blog/2014/10/out-today-self-printed-the-sane-persons-guide-to-self-publishing-by-catherine-ryan-howard/

Q: You’ve said that you’ve changed your mind about some things since writing Self-Printed 2. Pick one and say what it is and what made you take a different view of it.

http://franpickering.com/2014/10/24/catherine-ryan-howards-self-printed-splash/

Q: How do I choose a font for my author brand?

http://katetilton.com/choose-font-author-brand/

Q: What’s your (self) editing process? 

http://awriterinspired.wordpress.com/2014/10/24/self-printed-a-qa-with-catherine-ryan-howard/

Q: Getting your book edited seems to be simultaneously incredibly important and prohibitively expensive. Do you have any tips for either mitigating the cost or bypassing the need for an editor?

http://www.tonikakubooks.com/blog/?p=34

Q: Two years ago, when the second edition of Self-Printed came out, Facebook was easily the top social network for authors looking to reach new fans. Does that still hold true today? How about two years from now – do you foresee any other social networks taking Facebook’s place?

http://1000daysbetween.com/2014/10/future-facebook

Q: For fiction (specifically romance), where do you think you get the most bang for your marketing buck: ads or public relations (e.g., reviews, interviews, etc.)?

http://writtenbydeb.blogspot.ie/2014/10/the-self-printed-30-splash.html

Q: Do you address the topic of Advanced Reader Copies and how to use giveaways on Goodreads in Self-Printed 3.0?

http://melissastacy.com/2014/10/24/self-printed-the-sane-persons-guide-to-self-publishing-3rd-edition/

Q: What advice do you have for an introvert who has a short story series (six books so far)on KDP and is ready (and scared to death) to do some marketing and get more interest in these stories?

http://jennifervandenberg.com/advice-for-self-published-authors-by-a-self-published-author/

Q: I’m extremely new to Pinterest and mainly use it to search for crafts and recipe ideas, but I’ve heard people say it can be used for pretty much anything. Have you ever used it to promote your books? How might you go about doing so?

http://skyehegyes.com/2014/10/24/2144/

 

Participated in the #selfprintedsplash but don’t see your question? You have to e-mail it to me, folks – Twitter ain’t enough; I can’t keep track. 

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