Bits, Bobs and Page Proofs

A lot’s been happening over here at Catherine’s Desk, so I thought I’d cobble together a bit of a mish-mashed blog post to update you on them.

College starts at the end of this month and as it’s my final year, I’m going to be busy, busy, busy. Especially since I will also be writing a new book and already have lots of events and fun stuff lined up. So last week I took the opportunity to escape to one of my favourite places, Villefranche-sur-Mer, for some last minute summer sun. We stayed in a spot I’ve never stayed in before which offered ridiculously fabulous views out over the bay, and every morning when we woke up, we discovered a new massive cruise ship had arrived in the bay. Distress Signals in real life…

Two bits of great news on the Distress Signals front: the book is going to be published in Germany (hooray!) and in the USA in mass market paperback at the start of January (hooray again!). The American edition also has a fancy new cover with two elements that make me want to pinch myself.

(It felt like) I was writing The Liar’s Girl for so long that it’s still hard for me to believe she’s finished, but she is – and I have the page proofs to prove it! This is when my publisher sends me the typeset pages of the book for me to have one last look over before they head for the printers. In many ways, it’s strange to think that in just a few short months, I’ll have two thrillers out there in the world. (What?!)

In weird but wonderful news, my desk made its debut in the Irish Times Home & Design supplement the Saturday before last as part of a feature about small but beautiful spaces. Big thanks to Sophie for making my 34 square metres (yes, 34 – that’s not a typo) sound amazing and to Eoin for making it look that way. Thanks also for just the one chin in the photo – MUCH appreciated! And yes, of course my desk is always that tidy and I write on a typewriter and I wear a dress and full make-up and no glasses when I write… Yep. Totally. You can read the article online here.

I mentioned that college is starting soon, and our terms are 12 weeks long. Three months is also how long it should take me to write 90,000 words if I write an average of 1,000 words a day. (I learned a LOT writing Book 2 about what works for me and what doesn’t, and I’m excited to take those lessons into Book 3. Yes, I am still basking in the glorious optimism you’re awash with just before you start a new book.) In related news, I seem to waste a lot of time on a daily basis. So when I heard about the Best Self 13-week planner, I couldn’t order one fast enough. I’ll be using it for the next 13 weeks starting next week (says the procrastinator) and I’ve high hopes for it. I’ll let you know how I get on.

And finally, if you live around these parts, I have no fewer than three events coming up the weekend after next.

More info about these events and ticketing information is available at the links. So, that’s the lot for me for now. How are you?

Self-Published Books in Bookshops: An Alternative View

Recently I blogged about how I believe, all things being equal, self-publishers shouldn’t bother with brick-and-mortar bookstores. If you talk to almost any mega-seller, uber successful self-published author – the kind who has made it into the headlines – bookstores don’t tend to even be on their radar, and why would they? One or two non-fiction exceptions aside, even the best outcome is just not worth the effort required. For novels, I just don’t see the point all. You can go back and read that post here. 

But they ARE exceptions. The two most common are (1) you have a book with a local interest, (2) you have a book that only really works in physical format, e.g. a photography book. So today I’ve asked Lorna Sixsmith, an Irish writer whose books fall into the category of These Really Should Be For Sale in Shops, to tell you about her experience.

Welcome to the blog, Lorna. Tell us first a bit about your books. 

Thank you Catherine, my books are funny non-fiction farming books. Would You Marry a Farmer?, How to be a Perfect Farm Wife and An Ideal Farm Husband may sound slightly like marriage manuals of the past but they aren’t. They show what farming life is like and give plenty of tips for impressing your other half, your in-laws and your neighbours, all with tongue in cheek humour. The feedback I’m getting is that one person in the family starts to read bits aloud and before long, they are chatting about how similar they are to the circumstances in the book – usually with lots of laughter. That’s partly why they sell better as paperbacks than ebooks, they are used like coffee table books to dip into at times too. Those interested in social history enjoy them too – both for the insight into farming life but also for the research into farming lives in the past.

How did you self-publish them, i.e. did you use CreateSpace to create your stock?

While my books are available on Amazon’s CreateSpace, my own stock of books were printed locally by Naas Printing. It is a risk doing a large print run (and I know some authors use CreateSpace, FeedaRead and other print on demand services and order by the boxful) but I ran a crowdfunding campaign for my first book Would You Marry A Farmer?. It gave me the confidence to do a print run of a thousand books.

Why approach bookstores? Was that always part of your plan?

No, not at all. I had planned to sell my first book from my website and from some local farm and gift shops, and perhaps a few local bookshops. I hoped to sell the first print run and thought that would be it. Indeed, I was so unprepared that when Ryan Tubridy [ed note: host of one of the most listened to radio shows in the country] interviewed me about the first book a couple of weeks after publishing it, I never thought of contacting bookshops to say “Ryan Tubridy is interviewing me, would you like to stock my book?” Ridiculously daft especially as it was so near to Christmas. I contacted Argosy Books and Easons, Ireland’s two wholesalers, in the new year. Argosy stocked it from February and Easons from May. Once I realised that my books would sell reasonably well, it made sense to increase sales by getting my books stocked in bookshops.

Please take us through the steps involved into getting into (Irish) bookstores. 

I was lucky in that I didn’t have to visit bookshops on an individual basis as the two main wholesalers stocked my books. However, that is only half the battle as bookshop owners still need to know about your book to order it from the wholesalers. I relied on press coverage and direct emails to bookshops to increase awareness and orders.

I’d suggest that anyone thinking of trying to get bookshops to stock their book, get to know the staff in local bookshops while you’re still writing it. Buy books in there and converse with them occasionally on social media.

What do you need for the bookshop to say yes to stocking your book? It must be professionally edited and formatted with an attractive cover and well written blurb. It really should be almost impossible for anyone to tell the difference between it and any traditionally published book in that genre. I didn’t quite achieve that with my first book (my blurb and back cover was a bit lacking) but am pleased with my latter books. The book also requires an ISBN (purchased via Nielsen) and a barcode.

You also need to know that your book will sell. Bookshops won’t want it taking up shelf space if it isn’t selling. It has to earn its keep. You’ll increase your chances of getting it stocked if you can say that you have press coverage coming up such as an interview on local radio or a feature in the local paper.

When contacting either of the wholesalers, you’ll need a marketing plan with evidence of existing sales and press coverage to date. I had heard that existing sales of 250 books was a helpful starting point when approaching the wholesalers but I’m not sure if that is true or not. The chief buyer at Argosy had heard my interview with Joe Duffy [ed note: another very popular Irish radio host] – Liveline devotes one programme to self published authors just before Christmas each year – and said she was going to contact me which was nice to hear.

Authors should be prepared regarding their pricing. Wholesalers take 55% and in my experience,  individual bookshops take 35%. I think 35% is fair, they need to make money for stocking your book on their shelves and creating the sale. It’s important to know your costs so you can work out your profit if you sell via the wholesalers. There’s no point in getting the sales if selling them at a loss.

What are the advantages in being in bookshops?

Some believe that vying for shelf space in bookshops is a waste of time for self published authors and yes, perhaps many would be better concentrating on increasing sales on the online platforms such as Amazon and Kobo. Much depends on the genre though. I suspected, and as it turns out I was correct, that my books would sell in much higher numbers in paperbacks than as ebooks. My sales on CreateSpace far exceed the ebook sales.

While it is nice to be able to say your book is available in all bookshops, it’s just vanity if they don’t sell. It can be hard to get attention as your books won’t be placed on a centre table or within a 3 for 2 offer. Hence, you need readers to go in looking for your book (remember that people tend to need to hear about something seven times before they buy!) as well as browsers finding it on the shelf.

Having your books in bookshops gives them kudos and credibility. Some people do buy on impulse when they see a book in a shop, they like being able to flick through before making the purchase. A lot of readers expect to see books in bookshops. Not all like reading them as ebooks.

Approximately half of my sales have been via the wholesalers. The other half have been sales from my website, in gift shops, UK farm shops and I take a stand at the Ploughing Championships each year. I’ve been lucky with getting interviews during the Ploughing week each year which really helps.

What are the disadvantages (if any)?

I’m not sure if I’d describe them as disadvantages but there are certainly things that authors need to be aware of before they rush into it. No author wants to be left with 500 books in their attic for evermore.

The retail price of your books needs to be comparable to traditionally published books in that genre but if printing books in small volumes, it may be a challenge to make a profit if giving wholesalers 55%.

There is an element of risk in preprinting a large volume of books but there’s nothing like making you work on your marketing than seeing boxes of books in your hallway or spare bedroom. Just don’t print so many that the task seems impossible.

Much depends on the genre of your books – if you believe that your crime or romance novels will sell well as ebooks, then concentrate on marketing them as such.

If stocking bookshops individually, there’s a lot of work involved in maintaining records, invoicing, delivering books (as well as the cost of delivery). I stock some farm shops in the UK on an individual basis and some gift shops here and yes, it does take time. I tend to supply on a minimum order (as it’s just not worthwhile supplying a shop with three books given the postage costs) and on a sale or return basis. I’ve only have to take books back on a couple of occasions.

Payment isn’t as prompt as, for example, with Amazon. It’s a minimum of three months before payment is received from the wholesalers and it can vary with individual shops. Yes, sometimes I’ve waited up to nine months for payment but there aren’t any bad debts so far. To be fair, I’m not the best at sending reminders and some bookshop owners prefer to sell the vast majority of the books before they pay.

How does the profit margin compare to online sales (both of POD paperbacks and e-books)? Is it worth it?

I sell so few as ebooks that I just look on those sales as little monthly bonuses. I make the most profit on sales from my website. I’m currently offering free shipping on all website purchases.Sales to gift shops and farm shops deliver about 20%  more profit than sales on CreateSpace and sales to wholesalers deliver about 20% less than CreateSpace sales. However, of course, I don’t have any work to do with CreateSpace sales – no printing, no posting, and this is an advantage. There’s no risk of returns either.

For me, it has been worth it with about half of my sales coming from nationwide bookshops. Total sales to date are almost 3,000 of Would You Marry a Farmer?, almost all of the print run of 2,000 copies of How to be a Perfect Farm Wife have been sold and over 1,000 of the newest book An Ideal Farm Husband.

What advice would you give to a self-publisher wondering if they should approach bookstores?

Be prepared. Ensure your book is as professional as it possibly can be. Do your sums – know your retail price and what margin you’re prepared to give them. If possible, tell them about upcoming press coverage. Being a familiar face in the bookshop should help your case too.

If they say it’s not for them, don’t take offence. Be polite and gracious.

See if you can collaborate with other authors for any events in bookshops. One that worked well for me was arranging a “Rural Reads” evening in a local bookshop with other authors of rural / farm related books, we also secured an hour long interview on the local radio show’s farming programme.


Lorna’s books Would You Marry A Farmer?, How to be a Perfect Farm Wife and An Ideal Farm Husband are available in all good Irish bookshops, Amazon and from her website. Shipping is currently free worldwide on all purchases from her website.

Thanks, Lorna!

The Liar’s Girl: Blurb Reveal

My desk is a very busy place at the moment, mostly because I can’t stop adding things to it (see my latest crafting project in the black frame below and more shenanigans on my Instagram) and partly because I felt as if I’d been struck by lightning while I was in Paris with the Bestest Book Idea Evah (disclaimer: they all feel like that when they’re new, I know) so I’m working on a synopsis for that and also fretting about all the books and articles I should be reading because my final year in college (FINAL? What?!) starts in a mere month’s time.

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So this is just a short post to say, ‘This is what my next thriller, The Liar’s Girl, coming March 2018 to both sides of the Atlantic, will be about.’

So, um, this is what my next thriller, The Liar’s Girl, coming March 2018 to both sides of the Atlantic, will be about:

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Her first love confessed to five murders.

But the truth was so much worse.

Dublin’s notorious Canal Killer is ten years into his life sentence when the body of a young woman is fished out of the Grand Canal. Though detectives suspect a copycat is emulating the crimes Will Hurley confessed to as a teen, they turn to him for help. Will says he has the information the police need, but will only give it to one person – the girl he was dating when he committed his horrific crimes.

Alison Smith has spent a decade building a new life. Having moved abroad, she’s confident that her shattered life in Ireland is finally behind her. But when she gets a request from Dublin imploring her to help prevent another senseless murder, she is pulled back to face the past, and the man, she’s worked so hard to forget.


[Dum-dum-DUUUUMMM noise optional.]

Find about more about The Liar’s Girl here, or sign up to my newsletter to make sure you don’t miss any more news. And please do check out my Instagram for More Things From IKEA No One Really Needs.

Now, back to drinking coffee while staring at the screen work…

Why Self-Publishers Should Avoid Bookstores

Recently I was asked to write a sort of factsheet that would act as a starting point for Irish writers considering self-publishing their work. It was a really interesting experience for me because since I signed a traditional deal back in 2015 – Distress Signals was published in May of last year and my second thriller, The Liar’s Girl, will be out next March – I haven’t really spent too much time thinking about self-publishing. So it had been a while since I had to commit to paper (or screen) my feelings on it. Would my advice be different with the benefit of these past two years? Is there such a huge difference between sneaking a peek behind the curtain and getting to go play behind it that my views would change completely? Is there anything I said three, four or even five years ago that I would never even dream of saying now?

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Shakespeare & Company, Paris. 

Well, not really, no. The factsheet turned out to be a very (VERY) condensed version of my ‘how to’ guide, Self-Printed.* But while once upon a time I might have said it’s probably not a good idea to aim to get your self-published books into bookshops, now I’m saying don’t. Don’t do it. At all. Because I can tell you, from what I’ve seen over here on the other side, bookshop shelves are a battleground even for the biggest publishing houses, and it makes little to no impact unless you’re on a lot of them. As an individual, you and your book just can’t compete there.

And if you try to, you are negating the biggest benefit of self-publishing as it is today: the fact that you can sell hundreds or thousands (or even millions) of copies of your book without having to invest in stock. That’s why self-publishing exploded like it did back in 2009(ish): because POD paperbacks and e-books came along. Before that, self-publishing meant sourcing a printer who’d take your money in exchange for a print run of your title – hundreds or maybe a thousand books – which would then live in boxes under your stairs and whisper despair to you every time you passed by, the layer of dust on them growing thicker and thicker. When you decide to self-publish with the aim of getting your book stocked in physical bookstores, you are rejecting this wonderful technological advance and saying you want to go back to the not-so-good old days when self-publishing meant digging yourself a hole of debt with no guarantee you’d ever get to climb out of it.

It just doesn’t make any business sense. Anyone I know who managed to get their book into physical stores didn’t make enough of a profit to justify the time it took to do it, and they all spent months – years, some – waiting to get paid. Some never got paid, they just got the books back. If your goal is to sell books, why spend your time and money so inefficiently? (And hey, your goal should be to sell books. Novels need readers. Getting readers = selling books. If you’re writing just for yourself, or purely for pleasure, or as a pastime, stay doing that. To publish is to start a business, and why bother if you don’t care about whether or not it’ll succeed?)

In my experience, it’s very hard to convince newbie self-publishers of this – and I totally understand why. I often say I didn’t grow up dreaming of seeing my book on a Kindle. We have this idea that it’s not really publishing unless it’s publishing as we know it. But to think this way is a mistake. Self-publishing can do so many wonderful things for you as a writer. You need to embrace what it can achieve and focus on that, instead of trying to force it to do something it wasn’t designed for.

Anyway, the point of this post is that this morning I came across one that makes this point so much better than me, and it’s written from the point of view of the person standing between you and the bookshop shelf: the bookseller. Anyone who tells me they want to get their self-published book into brick-and-mortar stores will be pointed in the direction of this in the future.

You may bristle, but remember, this is based on this bookseller’s own experience with self-published authors. They may not be like you, but they’ve pretty much ruined it for you already. You can say it’s not worth my while even trying to overcome this or you can say I’m going to do everything I can to overcome each of these hurdles but either way, you need to know what’s up. Have a read.

Self-Published Authors – 20 Tips from a Bookseller:

You’ve written a book.

Congratulations, I mean it, and that’s coming from someone who:

  1. is completely incapable of writing a book and
  2. counts eating a whole tube of Pringles in one sitting as a typical life achievement.

However, if you are thinking of bringing your self-published book into my bookshop, you might like to consider the following:

→ Read the rest on The Secret Bookseller.

*Self-Printed is no longer available. The last edition was published in 2014 and as I am totally against people giving advice on things they themselves have not done, I haven’t updated it since and won’t be again anytime soon. Rather than charge money for something out of date, I pulled it. All the blog posts it was based on are still around here somewhere, on my blog. 

 

Why Paris Is Always A Good Idea

Rewind to exactly two weeks ago and find me arriving in Paris, getting to live out a dream: to spend a week at the Centre Culturel Irlandais, or the Irish Cultural Centre.

This is a facility for Irish writers, students, etc. smack bang in the heart of literary Paris. Three minutes’ walk away: Place Contrascarpe, where Hemingway had his first apartment in Paris. Five minutes’ walk away: the Luxembourg Gardens, where he frequently retreated to. Ten minutes’ walk away: Shakespeare & Co, the famous bookshop that first published Ulysses. (There’s so much more, but you get the idea.) The centre itself is down a quiet street, where a heavy green door reveals a tranquil inner courtyard. My room was filled with light and offered a beautiful view of a lush, ivy-covered neighbouring building and a rolling sea of Parisian rooftops (just like— Okay, okay. I’ll stop with the Hemingway now.) Ahead of me stretched a week of writing, Paris and streetside cafe cremes. I was giddy with bliss.

I didn’t even know this place existed until last year when, stood at the end of Rue Soufflot waiting for the lights to change, I looked up and saw a sign for Rue de Irlandais. Google told me what was there and why there was an ‘Irish Street’.  Later, I dashed through April rains to meet my writing friend Elizabeth R. Murray at Notre Dame. She was, by coincidence, in the city with her husband, and we talked about our CCI daydreams. Now, she left a comment on one of the photos I posted saying she was headed to a retreat in Iceland soon, for a month. I laughed and said that we might be in danger of propagating the myth that writers live an enviable, champagne lifestyle…

The next day I was up with the dawn. I eyed my laptop but then decided play first, work later. Everyone goes on about Paris sunsets, but I love the mornings the most. I walked from the CCI to the Eiffel Tower via the Musée d’Orsay (with the help of a few cafe cremes), but by mid-afternoon, I was feeling guilty: the copyeditor had sent The Liar’s Girl back to me a couple of days before, and I had to go through the manuscript to check the changes, answer queries, etc. I took a pre-packed sandwich and a Coke back to my room, opened my laptop and got to work, trying to ignore the fact that outside, Paris was waiting impatiently.

I was also trying to studiously ignore something else: that at seven o’clock Paris time, the Dagger shortlists would be announced at an event in London.

The Daggers are awarded by the Crime Writers’ Association and judged by a panel of crime-writing aficionados, and it seems like every crime writer I loved growing up had the word ‘Dagger’ somewhere in their author bio. They’re a big deal to me. As a reader, I was looking forward to them pointing me in the direction of new books to read. As a writer, they weren’t even on my radar.

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Back in May, I spent twenty-four hours at Crimefest. I was home barely thirty minutes when I got a text message from Andy, a writer friend: she was at the Dagger longlist announcement, and she’d just heard my name read out. This was so out of left-field for me I was scared to tweet anything in case it was a mistake, so I waited (and waited and waited…) until official confirmation had been posted online. Yes, Distress Signals had been longlisted for the John Creasey (New Blood) Dagger award.

(What?!)

Tonight, I would again find out by text message. My friend (and Betty’s of Harrogate buddy) Erin was going to the announcement and had offered to let me know if I’d made the shortlist. Sitting in my room in Paris, I was thinking how awful it was going to be for Erin to have to text me to say ‘Sorry, but…’ but also about the fact that I was a published writer and I was sitting in bloody Paris, for God’s sake, so there was absolutely no need to be disappointed, whatever happened.

The clock ticked closer to seven. I tried to concentrate on my copyedits and pretend not to care. Then I decided that I was so not going to care, I was going to go out. I’d get a drink somewhere, gaze adoringly at Notre Dame  or the Eiffel Tower off in the distance for a while. I stood up, grabbed my bag. I was looking for my key when I heard a little beep: a text message. (Please excuse my, ahem, French response.)

Amazingly, Distress Signals has now been shortlisted for a Dagger. Paris is always a good idea!

You can read more about the Daggers and view all the books on all the Dagger shortlists here.

Guest Post: Why Write A Book?

Today I have a guest post from the lovely Andrea Mara, whose debut, The Other Side of the Wall, was published recently. Dublin is a busy place for book launches during the summer, and unfortunately Andrea and Carmel, a friend of mine, had theirs on the same night, and without some sort of cloning machine I couldn’t make both. I like to support other authors (because I know, quite well, the horrible, gnawing fear that no one will show up to your book launch!) so to make up for the fact that I couldn’t physically go to her launch, I invited Andrea on here instead. Take it away, Andrea! 

Why did you want to write a book?

That the question that came today from my five-year-old, as only the simplest questions with the most complex answers do. (How does sound come out of the radio? How do gears in a car work?)

Why did I want to write a book? It’s a good question, and I don’t know if I have the answer. If the question is simply why do you write? the answer is easy – it’s one a writing friend often gives when she’s asked the same question. I can’t not write.

But that refers to blogging, or general navel-gazing type writing.

If I break the kinds of writing I do into compartments – blogging, features, and fiction – then blogging is the one I truly, truly enjoy and do willingly, or even more than that, do compulsively.

And perhaps that’s logical – blogging is not paid, I have no boss, no word count, no timer, no rules, no deadlines. I’m not beholden to anyone. I can write about anything that comes into my head – how much I hate driving, saying goodbye to my old couch (four of us cried, so it got its own memorial blog post), or the time I got my brows tinted and ended up looking like someone Sellotaped a caterpillar to my forehead.

It is said that if you can make your hobby your job, you’ll be happy for life, and for sure, if you’re lucky enough to do that, work is likely to be a lot more fulfilling than doing a job you hate.

But at the same time, once anything becomes work, it becomes, well, work. If you have to complete it by a certain time, to a certain standard, ready for judgement by one or many people, it takes on a new dimension and might not be quite as much fun. And that’s all very well when it’s a 1,200 word feature for a newspaper, something that can be completed in a few days or weeks, but what about a book? 100, 000 words; life-suspending deadlines; Christmas-cancelling pressure, and no idea if in the end anyone will like it – who would willingly do that? I can see where my five-year-old is coming from.

I don’t think anyone does it for the money. Unless you’re selling seven million copies, you’re probably not doing it for the money, and there have been many newspaper articles recently on just how little Irish authors earn.

I don’t think anyone does it to be famous – most authors aren’t famous.

And I doubt anyone does it because it’s easy – we can unanimously agree it’s not easy.

Perhaps some people do it because they love writing fiction, and they don’t mind whether or not their work is ever published. But most authors and aspiring authors I know (with some exceptions) would like to be published.

Maybe some write because it’s enjoyable. I think it’s enjoyable when you’re in the zone – when you’re knee-deep in a scene and feeling every emotion the characters are feeling and tapping out the drama with your fingers flying on the keys; furiously flurrying, needing to get it all down. But for every day like that, there are days when you sit down and stare at a blank screen, looking for any distraction possible to avoid having to come up with the words.

So why do it?

For me, having turned it over in my mind since my son asked me the question, I think it’s because I wondered what if this is something I can do, and what if I don’t try? What if it’s my thing, but I never find out?

I had a story rattling around in my head – prompted by the many night wakings of my babies, wondering what would happen if I saw something in the middle of the night. I wanted to try writing down the story and see where it would go. What if it was terrible? But then, what if it wasn’t?

And in the end, doing it was easier than not doing it, and wondering what might have been.

Thanks, Andrea!

Andrea Mara is a freelance writer, author, and blogger, who lives in Dublin with her husband and three young children. She writes lifestyle features for Irish newspapers, magazines, and websites, and has won multiple awards for blogging. She attempts – often badly – to balance work, family and writing, then lets off steam on her blog, OfficeMum.ie. When she’s not keeping one eye on the kids, and the other on Twitter, she’s furiously scribbling notes for her next book.

Her first book, a psychological thriller set in South Dublin, is called The Other Side of the Wall. It’s available now in bookshops, and on Amazon.

 

Cover Reveal: The Liar’s Girl

So here they are: the covers of my next thriller, The Liar’s Girl, which is going to be published in the UK/Ireland AND the USA at the start of March 2018. (Yes, both sides of the Atlantic get the book at the same time this time. Woo-hoo!)

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What’s it about? Well, all I can tell you for now is this: ten years ago, her first love confessed to five murders. But the truth was so much worse… 

What about those bridges, eh? Well, besides the fact that I’m thinking of starting a new ‘bridge noir genre’ (not really), fun fact: those are both real bridges here in Dublin. The UK/Ireland cover has the Ha’penny Bridge on it, which goes over the Liffey and is probably one of Dublin’s most famous landmarks, and the USA cover has Huband Bridge, which is on the Grand Canal, right by a house once lived in by none other than Samuel Beckett. (If Irish bridges are your thing, here’s more information about them and eight other beauties.)

I’m off to Harrogate this week, THE crime writing festival, with Writing.ie who will be tweeting like mad from all the events (and, um, the bar…) so if you can’t make it, you can still enjoy it through us. And if you can make it, see you there! x