11 Signs You’re Meant To Be A Writer

1 May

Yes, things have been a little quiet around here lately, but that’s only because, first of all, I was so busy there for a few weeks that I couldn’t even think straight and then, second of all, once the busyness was over, I awarded myself a whole day off—I didn’t even check my e-mails—and instead curled up with Lionel Shriver’s Big Brother, and that felt so good that I gave myself another day off, and then I started feeling light-headed and strange and had to come back here (here being The Desk), and get back to work. So while I play catch-up with the 391 e-mails from people who still don’t seem to understand that I don’t review books, my lovely blogging friend Laura Pepper Wu is going to entertain you with a guest post I’m sure we can all relate to: 11 Signs You’re Meant To Be A Writer. And let’s play a little game: leave the number of things that apply to you in the comments. Welcome, Laura!

laura‘Since you are reading Catherine’s blog, you’ve no doubt accepted by now that you’re a writer. But just in case you haven’t or if you’ve been having doubts of late, here are 11 signs that you truly are meant to be writing – and always have been!

1. You bust out long emails without even flinching, and even your signature is like a paragraph long. Sometimes you start an email with the words “In a bit of a rush, so just a quick reply,” and still manage to bang out enough text for a Kindle Singles essay.

2. You’re the person who buys 10 postcards on holiday and actually delights in writing them. Oh, and each one has a different story on it, because writing the same thing to all 10 of your friends would feel like cheating.

3. You’ve dreamed of sitting in front of a typewriter/ computer and pouring your heart out on to it ever since you can remember. Whether your first inspiration was Clark Kent working at the fast-paced Daily Planet, or Carrie Bradshaw staring longingly out of her window in her knickers and a pair of sparkly earrings, you’ve wanted to do that forever.

4. You work your thoughts out better with a pen and paper than discussing the situation through verbally. If you’re trying to make a decision, make sense of something, or plan ahead for the weekend, it’s that trusty notebook and pen that you make a grab for first.

5. Staying home on a Friday night with a glass of wine and a good book sounds pretty much like you died and went to heaven.

6. You read the back of cereal packets and think about what you would write in place of the current copy (and think to yourself how you’d do a much better job at it).

7. You’re able to articulate and get your point across far better with written words than over the phone. Whenever you’re given a customer service number, your first question is, “is there an email address I can use?”

8. You’ve actually Googled “Can I expense coffee/ tea?” before.

Laura's newest venture, The Write Life magazine.

Laura’s newest venture, The Write Life magazine.

9. You read everything you can get your hands on, including the free leaflets from the supermarket or the book of coupons from the drug store.

10. You can’t walk past a stationery shop without popping in, “just to have a look.”

11. While you couldn’t give a hoot about playing Monopoly or Settlers of Catan, put a box of Scrabble or Scattegories in front of you and you suddenly get very competitive. That dinner party just got way more interesting.

How many did you nod your head along to? Many of us have wondered at one point or another what we need to do or achieve before we can legitimately call ourselves “a writer.” If that sounds remotely like you, stop that. If you truly love writing you probably know it and you always have, and that’s the only permission you need. Okay?’

Thanks, Laura! My number is 8, and it’ll be 9 in a minute after I Google “Can I expense coffee?”. My favorite part of Sex and the City was when Carrie sat at her little desk to write, but alas, my reality of this involves sweatpants, a tiny box room and a view of suburbia. Oh, well. 

Laura Pepper Wu is a writer and the editor for The Write Life Magazine: a lifestyle magazine for those of us who write. Check it out at TheWriteLifeMagazine.com. Laura is also the founder of Ladies Who Critique and 30 Day Books. Outside of her many writing-related ventures, she spends her time walking her spoiled dog in rainy Seattle, checking out local coffee shops, and learning (quite hopelessly) how to sing jazz. Connect with Laura on Twitter @laurapepwu.

A Visit From The Book Designer (and Good News for Self-Publishers!)

25 Apr

Regular readers of this blog or those of you who have ploughed your way through all 120,000 words of Self-Printed will know that I’m a big fan of The Book Designer and the man behind it, Joel Friedlander (@JFBookman on Twitter). It’s a fantastic resource for self-publishers and it always makes for interesting reading too. Joel also runs monthly e-book design awards, which offer a sometimes wonderful, sometimes… um, not so wonderful (ahem) insight into the world of self-published e-book cover design. Recently he launched Book Design Templates for self-publishers, and he’s here today to tell us more about them. Welcome, Joel! 

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Me: Please explain to us what exactly are your Book Design Templates, and how self-published authors can use them. 

Joel: They are Microsoft Word template files specifically designed for authors who want to do their own book formatting. A template file is simply a pre-formatted layout used to make new documents with the same design. There are 9 different designs, and each is available in standard book sizes as well as in ebook versions.

The templates allow you to quickly create a book interior because all the basic work has been done for you. The templates are sized properly and contain all the Word style definitions needed to format the text in your book. Not only that, they come with the fonts you need as well as an extensive Formatting Guide that walks you through the process of getting your text into the template.

M: You know there are self-publishers reading this now who can’t imagine why they’d need to use one of these templates. Here’s your chance to convince them… 

J: Well, let me tell you Catherine, that there are a lot of authors who need something like this. The reason I say that is because I see a lot of self-published books, and most of them contain formatting errors. And I don’t mean errors like forgetting to put in your chapter title, I mean errors in book construction.

Now there’s no reason an author can’t do the same thing herself. What the template accomplishes for you is to make sure your file is set up properly, that it looks good, that you’re using appropriate fonts, and that your book will conform to industry standards. So we’ve taken care of most of the work for you, and at a very reasonable price. I think that’s pretty cool.

M: Your website, TheBookDesigner.com, is a treasure trove of advice for the self-publishing author (that I recommend to other self-publishers all the time). What do you think is the ONE thing self-publishers need to know about producing a professional-looking print book? 

J: If you want to create a package that gives your book the best chance of success, there are things you can do. First, for your cover, I strongly recommend hiring a professional cover designer, and this expense will be well worthwhile.

For those authors who plan to produce their own book interiors, you’ll need to learn about how books are put together, where each part is supposed to be in relation to other parts of the book, how we separate sections and number pages, and all the minutia of book construction.

Your other choices are to hire a book designer to format your interior, or you might want to take a look at our book templates, which take care of most of this stuff for you.

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M: Once upon a time I didn’t understand why self-publishers would start Chapter 1 on page 1 when, presumably, there were traditionally published books on their shelves at home that they could pick up and refer to for guidance at any time. But since then I’ve made mistakes in my own paperbacks (such as not realizing that using MS Word’s sections feature, I can ensure that my blank pages are actually blank) so I can see how it happens. Why do you think it’s so difficult for self-publishers to get their print interiors right, especially considering that there are also—hopefully—avid readers? 

J: Yes, it’s curious, isn’t it? I think I know why this happens, too. Almost all of us have grown up with books, and we were introduced to them even before we could read, when Mum or Dad would read us to sleep.

Consequently, we pretty much take books for granted. They seem like such dead simple parts of ordinary life, we can’t imagine that there’s anything complicated about them at all.

It’s only when you try to create a real book yourself that it slowly dawns on you that the apparently simple object actually has lots of parts, many details that need to be decided, and a whole raft of centuries-old conventions that need to be followed if you don’t want to create uneasiness in your readers.

M: Anyone who has ever tried to format their manuscript for upload to Smashwords or KDP knows that MS Word is indeed the devil. But why is it so difficult to make a good looking paperback interior with it? What are the biggest hurdles? 

J: That’s pretty funny, Catherine. Of course, Microsoft Word is a brilliant program when it’s applied to its intended uses, mostly in an office environment. It makes it easy to create memos, reports, flyers, and many other common documents.

But it was never designed as a typesetting program, or intended for book layout. I can’t tell you how many self-published books I’ve seen with really horrible errors, like running heads on the title page, blank pages with page numbers, text that floats around the page, and formatting inconsistencies throughout.

Our templates were designed to get authors over those hurdles without them having to become Word ninjas. The template makes it easy.

M: The reaction to the Book Design Templates, from what I’ve seen, has been amazing. Has this surprised you? And what’s next for The Book Designer? 

J: Right away it was obvious that we had hit on something people really wanted. Instead of struggling with Word for hour after frustrating hour, and not even getting the result you want after all that work, authors saw right away that the template would free them from the drudgery and mistakes. I love that.

What’s on the horizon? We’ll keep expanding the template line, since we’re getting regular requests for sizes and styles we haven’t had a chance to develop yet.

And I’ll break some news here too. My next business will go in the opposite direction. I’m working right now on setting up a business to provide done-for-you professional-level book interiors based on the outstanding typography produced by Adobe InDesign and employing my own award-winning book designs.

I can’t say any more about that yet, but I’m pretty excited about it. This way, no matter how an author wants to get their book done—by themselves using the software they already own and know how to use, or with professional typesetting—I’ll be able to help them get into print.

For over 25 years I’ve been an advocate for self-publishing, and I love helping authors get their books done and into the hands of readers. That’s my mission, whether it’s on my blog, with these templates, or any of the other ways I try to help authors realize their publishing dreams.

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Thanks so much Joel! And if you’re interested in these templates, I have great news: Joel is offering Catherine, Caffeinated readers a whopping 46% off until April 30 on http://www.bookdesigntemplates.comJust enter the coupon code template46 at checkout.

joelIf you don’t want to go the template route, there’s also the very helpful Book Construction Blueprint, a fantastic resource for anyone creating their own books, and it’s available for free on the template site. You can find that here.

Joel Friedlander (@JFBookman) is an award-winning book designer, a blogger, and the author of A Self-Publisher’s Companion: Expert Advice for Authors Who Want to Publish. He’s been launching the careers of self-publishers since 1994 and writes TheBookDesigner.com, a popular blog on book design, book marketing and the future of the book. Joel is also the founder of the online training course, The Self-Publishing Roadmap.

Notes from ChipLitFest

23 Apr

You may have noticed I’ve been missing for a few days. Well, for the first couple of them I was strolling around Oxford’s cobbles with my brother, wondering how I could possibly get the entire stock of Whittard’s home on Ryan-’ONE piece of cabbin baggage’-air, and hoping that the strolling was at least contributing to the burning off of the calories consumed at afternoon tea. After that, I was at ChipLitFest.

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May contain cucumber sandwiches. 

With big names splashed all over the program, military-level organization (in a good way!) and five-star accommodation for authors, it’s hard to believe that this was only the second year of ChipLitFest. I was delighted to be invited to do a ‘ChipLit Chunk’ — a two-hour workshop on self-publishing followed by half an hour of coffee and cake with my participants afterwards — and since my big regret at Waterford Writers’ Weekend was not having enough time to attend anyone else’s sessions, I made sure to grab some ChipLitFest tickets as well.

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The main house at Heythrop Park.

ChipLitFest are famous for looking after their authors, which is how I ended up at the stunning Crowne Plaza hotel at Heythrop Park. On 400-hundred-and-something acres, it was like waking up on the grounds of the palace of Versailles in the morning—especially since on Saturday it was all clear blue skies and warm sun. I checked in at the (well-stocked!) authors’ Green Room, collecting my ‘Author’ badge to wear for the day. And there was a even little thank you card from Clare Mackintosh, the founder of ChipLitFest, who invited me. Such a lovely touch!

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No, thank YOU!

My event, The Art of Self-Publishing,took place in one of the most adorable bookshops I’ve ever been in: Jaffe & Neale. In my daydreams about one day opening my own bookshop/cafe, it’s the interior of Jaffe & Neale’s that I’d hope to recreate: plenty of books yet plenty of space, and coffee tables not collected in a far corner but actually dotted around the bookshop. I couldn’t help myself; I picked up Stranded by Emily Barr and We Need To Talk About Kevin by Lionel Shriver while I waited for the previous event to finish. (It being one of my all time favourite novels, I already have a copy of Kevin, but all my books are piled in boxes in a storage unit at the moment and I fancied a re-read.) Then the lovely staff took my coffee and cake order for later—coffee, cake and sunshine? Can’t all book festivals be like this?—and then it was time to start.

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Jaffe & Neale bookshop & cafe, Chipping Norton.

The event went really well, mainly because I had such a lovely group, and afterwards I ran around the corner to the theatre because I had tickets for Lionel Shriver’s talk about new book, Big Brother. Shriver has long been a favourite writer of mine so it was thrilling to see her in the flesh, but honestly: there’s clues in her books, but I didn’t appreciate just how clever and fascinating she is. The hour flew by. I would’ve happily sat there and listened to her for another two after that.

I also had tickets to Peter James, in conversation with the lovely and hilarious Jane Wenham-Jones. James has amazing access to seemingly all branches of the criminal world and the authorities who strive to put a stop to them, and his anecdotes were worth the ticket price alone. Another truly fascinating hour. I snapped up Wannabe a Writer? by Jane (again, another copy, since I have it already—this one was so she could sign it for me) and Perfect People by Peter James, who signed it and wished me luck with my writing.

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A souvenir and great reading for the journey home…

Heading back to Heythrop Park I had a bag weighed down with books and a heart full of love for all those who write them.

Thank you to Clare Mackintosh for a wonderful weekend!

Bit of housekeeping: due to a recent surge in spam, I’ve reverted to the comment moderation setting that means first time commenters must be approved, and thereafter will have their comment published immediately. So sorry if this is a bit annoying but waiting to see your comment appear is better than me having to delete tens of spam comments per post—trust me! 

London Book Fair: The Writer’s New Year’s Eve

17 Apr

Since Monday I’ve been studiously avoiding my London-based Twitter friends. There’s stacks of unread blog posts in my Google Reader account* including a series from one of my favorite writerly advice sites that under normal circumstances I’d gobble up immediately. And every morning, my ‘Morning Briefing’ e-mail from The Bookseller is getting deleted without being opened.

Why? Because the London Book Fair is on, and I just can’t stand to hear about it.

LBF

Not because I don’t like the London Book Fair. On the contrary, I’d love to go. A hall filled with publishers, agents and authors chattering excitedly about books, meeting up with Twitter friends in real life, perhaps even being one of those crazy people who sidle up to agents in the bathrooms and casually slip USB sticks with their manuscript on it into a pocket or a bag… What’s not to like?

The fair itself is not the problem.

I am.

Once upon a time I had never even heard of the LBF, but since I entered the publishing world (through a back gate that Amazon took a crowbar to on my behalf, i.e. self-publishing e-books) four of them have gone by. Four of them! And each one is a reminder that I haven’t got published yet. I realize that I’ve achieved lots of other things, and that’s great, but they don’t add up to getting published. If anything, they make me feel worse, because I look around at all the people I know—and there seems to be lots of them—who are signing with top agents and getting amazing deals and just generally having fantastic publishing-themed things happen to them, and I wonder what the hell I’m doing wrong, because finishing a novel is the only thing on their writing CV while mine, between self-publishing and media appearances and speaking engagements and working with publishers, is running to two pages—

And then the penny drops.

They’ve finished a novel.

I have finished writing one novel in my entire life, and that was back in 2010. It actually coincided with the first LBF I paid any attention to.

I don’t generally talk about my non-self-publishing endeavors on this blog, so here’s a recap: since 2010 there’s been stops and starts, feasts and famines, and two entirely different genres. But due mostly to the fact that self-publishing—and talking about self-publishing—has really taken off for me, I haven’t finished a novel. And because my plan is to use this novel to get an agent, I’m stuck. Stuck and succeeding, at the same time. Amazing things are happening to me because of self-publishing, but my ultimate goal, that of getting a novel published, is getting nowhere.

And every time a LBF comes around it’s a reminder that I’ve somehow let another year go by without finding a way to balance the two. It’s just like New Year’s Eve: a reminder that you haven’t done all the things you said you’d do this year. Only this one is especially for writers, and everyone else at this New Year’s Eve party seems to have just signed a six-figure deal, despite the fact that it wasn’t even on their list of goals this day last year. Hell, they didn’t even make goals last year! This just happened! It all came as a complete surprise!

LBFs past serve as markers in my book deal pursuits. In April 2011, I’d decided to to ditch the new novel I’d started following the ‘we don’t love this but can we see something else?’ feedback that first novel had got, and focus on self-publishing for a few months instead, releasing Self-Printed and Backpacked only a summer apart. In April 2012, I was working on a chapter-by-chapter outline for yet another novel following a meeting with an editor who liked the sound of the idea but wanted to see it worked out, but I was only a few months away from ditching that too in favor of writing something completely different, the thing I (I’d just realized) really wanted to write. And today, April 2013, I’m a third of the way into that Something Completely Different, but busier than ever. I just sent 30,000 words of Travelled: Episode 1 to my copyeditor, I’m doing freelance social media work for a major publisher and ’tis the season of speaking engagements—I’m off to ChipLitFest in the morning and still need to finish my presentation.

I’m not complaining. Not at all. What I’m doing is berating myself for not getting a handle on this. I actually have loads of time. I have oodles of it: I don’t do anything else except this. And all those people I know who’ve signed deals? Almost all of them have full-time jobs. In terms of how much time self-publishing, etc. takes, I work maybe 4 full days a week. That leaves the equivalent of 3 just for writing. So why haven’t I finished? It might be fear, or it might just be plain laziness. It might be all those Scandinavian crime drama box sets. All I know for sure is that I haven’t finished writing a novel I really want to write and am really excited about yet.

I have a drastic plan on the horizon though. And the entire month of May is as yet mercifully free of events. And I’ve watched all three seasons of The Killing, two of Borgen and the only existing one of The Bridge, so I’m out of those for now.

I saw a quote on Pinterest last week: do something today your future self would be proud of. I’ve written it on a Post-It and stuck it to my Mac, and when I read future self I think of me a year from now, and how I’ll feel if I still haven’t finished the novel.

Because I just cannot face another LBF.

What do you think? Are there any milestones that send you hiding under the duvet? Or do you think events like the LBF make good goals to work towards, e.g. by the next LBF, I’ll have finished my novel? Let me know in the comments below…

*I know it’ll be gone soon—I’m moving to Feedly in baby steps.

Social Media for Publishers

15 Apr

I’m just popping in this Monday afternoon to tell you that on Friday 26th April, I’ll be in Dublin talking Social Media for Publishers.

Self-publishers are publishers too, and all the same general principles, ideas, strategies, etc. apply, so I thought I’d share the details here in case any of you lovely blog readers would like to attend.

Here’s the pitch from Publishing Ireland:

Tw€€t This: Social Media for Publishers Half-Day Seminar

Ever wondered what social media is all about? Ever wondered how relevant it really is for your business? Ever asked yourself how far all that tweeting and facebooking would actually get you in terms of sales — real sales? How can publishers best take advantage of the wealth of opportunity this new world holds? How can they identify these opportunities? And in an environment where information is everywhere and attention is short, how can they create the kind of content that will stand out and get shared?

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Self-published media expert Catherine Ryan Howard is here to tell you that social media for publishers really IS that important! Word of mouth is more important now than ever and using social media tools right can not only turn your recommendations into sales but also raise your profile in a very real way. Come join us on Friday, 26 April as Catherine takes the jargon and the mystery out of what has become the fastest and most efficient sales tool ever developed.

When? Friday, 26 April, 12-4pm.

Venue: Publishing Ireland offices, 25 Denzille Lane, Dublin.

Price: €100/€75 for Publishing Ireland members. Tea and coffee will be provided.

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As this is a Publishing Ireland event, please note that although anyone can attend, only Publishing Ireland members can view the full website. So if you’re a non-Publishing Ireland member and you’d like to attend this event, please e-mail Stephanie at stephanie@publishingireland.com.

And if you ARE a Publishing Ireland member, you can read an interview with me here.

Follow Publishing Ireland on Twitter

Sunday Coffee Reads: Apr 14

14 Apr

As I said in my Plans and Goals and Stuff post, Sunday mornings is when I read my way through all the interesting tidbits I’ve come upon during the week: tweets I’ve marked as favorite, Google Reader posts I’ve starred and articles I’ve mailed myself links to while waiting out an ad break. Then I add the ones I think everyone else might find interesting to Buffer, so they get tweeted during the week. (Note: I tweet what I think is interesting, not necessarily what I agree with.) But I thought that this year, I would pick the cream of the crop for a little Sunday morning link fest, so you have something to read with your coffee too…

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It’s all busy, busy, busy at Catherine’s desk at the moment. It’s not even the middle of April and I’m already so looking forward to May when—as yet, touch wood—there’s nothing in the diary except blank space, which I plan to fill with smug updates about massive daily word counts as I build up the pages in my WIP. (That’s the plan, anyway.)

Onto this week’s tweets…

And The Great Misquote got plenty of mentions on Twitter this week too:

I’m off to start preparing for this…

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Until next week!

Did You Win? (And Another Chance To…)

5 Apr

Thanks to everyone who entered the Mousetrapped in hardcover/Self-Printed in paperback giveaway by leaving a comment on one or more of the Mousetrapped Madness posts, which were:

And the winner is…

(Drum roll, please)

Esther E. Hawkins!

Please let me know whether you’d like Mousetrapped OR Self-Printed, and what name should go in the inscription. You can contact me through the Contact page.

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And if you didn’t win, you have one more chance. I’m using Rafflecopter to run a Mousetrapped giveaway on Facebook. Technically it’s only for Mousetrapped but the winner can have any book of mine they want; I’m nice like that.

ENTER THE FACEBOOK GIVEAWAY HERE

In other news, ChipLitFest is just two weeks away and a little bird tells me there’s four tickets left my ‘The Art Of Self-Publishing’ workshop (or there was three days ago, anyway!) Tickets are £25 and you can book them here.

There’ll be no Sunday Reads this weekend, so I’ll see you next week. Have a good one!

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